Dr Marie Rose Arong1
1University Of The Philippines Cebu, , Philippines
In recent years, there has been a growing critical interest with disasters in literary studies. In Dancing with Disaster, Rigby (2015, p.2) poses that ‘research in the humanities might provide an enhanced understanding of the complex interplay between cultural factors and geophysical processes in the genesis, unfolding, and aftermath of calamities’. This paper hopes to contribute to this important field of research especially because Filipino authors have started publishing novels which grapple with the Haiyan disaster, nearly six years after the Super Typhoon hit the Philippines. This paper examines what narrative strategies Filipino authors employ in order to negotiate the ethical and epistemological problems raised by the Haiyan disaster and how they might invite a reconceptualization of memory.
This paper examines how post-Haiyan Filipino novels in English such as Criselda Yabes’ Broken Islands (2019) and Daryll Delgado’s Remains (2019), recover and reimagine Haiyan. This paper argues that both novels’ attempts to reclaim Haiyan also results in an excavation of Philippine history. Narratives such as Broken Islands and Remains not only provoke a critical understanding of disasters, but they are also necessary in the contemporary moment in order to challenge historical-revisionist narratives proliferating in the Philippines and beyond.
Marie Rose Arong, PhD is a faculty member of the College of Communication, Art, and Design in UP Cebu. She received her PhD from UNSW, Australia. Her articles have appeared in the Journal of Graphic Novels and Comics, Kritika Kultura, ARIEL, and Text Matters.